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Although conceived as a ballet, Prokofiev’s Romeo and Juliet was premiered in concert performances. Musicologist Simon Morrison, conductor Stéphane Denève, and New York City Ballet corps de ballet member Silas Farley reflect on the ballet—chronicling its conception, the composer’s revisions and personal struggles, the political forces that delayed its premiere—and consider Prokofiev’s musical language and dramatic sensibility. They will also compare and contrast the work’s impact in both concert (as the Philharmonic does January 25–27, 2018) and ballet performances (as presented by New York City Ballet, February 13–23, 2018).

 

Simon Morrison, speaker

Stéphane Denève, speaker

Silas Farley, speaker

 

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Presented in collaboration with the New York Philharmonic

 

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Seating is available on a first-come, first-served basis.

Venue

61 West 62 Street

For questions about accessibility or to request an accommodation, please contact [email protected] or 212.875.5375.

For ticketing information and general questions, please call 212.721.6500.

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From Stage to Stage: Romeo and Juliet in Music and Dance

Monday, January 22, 2018 at 7:30 pm David Rubenstein Atrium

FREE
Free
Add to Calendar America/New_York From Stage to Stage: Romeo and Juliet in Music and Dance David Rubenstein Atrium at Lincoln Center - Delve deeply into some of the New York Philharmonic season’s featured themes at one of these dynamic talks. David Rubenstein Atrium, 61 West 62 Street, New York, NY 10023 Lincoln Center - David Rubenstein Atrium at Lincoln Center false MM/DD/YYYY aho3e0k00zv7rk56sm4e178