Stephanie Spray and Pacho Velez's (literally) transporting film—shot inside a cable car that carries pilgrims and tourists to and from a mountaintop temple in Nepal—is radically simple in conception. Each of its 11 shots lasts as long as a one-way ride, which corresponds to the duration of a roll of 16mm film. A kind of head movie that viewers are invited to complete as they watch, Manakamana is thrillingly mysterious in its effects: a staged documentary, a cross between science fiction and ethnography, an airborne version of an Andy Warhol screen test. Working within a 5-by-5-foot glass and metal box, Spray and Velez have made an endlessly suggestive film that both describes and transcends the bounds of time and space. Winner of the Filmmakers of the Present prize at the 2013 Locarno Film Festival. A Cinema Guild release.