Going Steadi: 40 Years of Steadicam runs December 16, 2016 – January 3, 2017 at the Film Society of Lincoln Center. Tickets & more info: filmlinc.org/steadicam
Trailer edited by Zach Clark: vimeo.com/zachclark
Combining the freedom of a handheld camera with the stability of a dolly, Steadicam made its groundbreaking debut in Hal Ashby’s 1976 film Bound for Glory, which won the Oscar for best cinematography. Since then, it has become an essential tool of filmmaking and has allowed cinematographers to execute some of their most iconic, astonishing camera movements. And while Steadicam has left an indelible mark on Hollywood filmmaking (especially in the films of Martin Scorsese, Paul Thomas Anderson, Brian De Palma, and Quentin Tarantino), it has also been used to striking effect in works by international filmmakers such as Hou Hsiao-hsien, Béla Tarr, Bertrand Tavernier, and many others. Steadicam enabled the camera to move with the same grace as the bodies, objects, and spaces that it films, expanding the medium’s visual possibilities in ways that many of the key filmmakers of the past four decades have found indispensable. The Film Society is proud to celebrate 40 years of Steadicam’s usage, with Steadicam inventor and cinematographer Garrett Brown appearing in person.
The Film Society of Lincoln Center is devoted to supporting the art and elevating the craft of cinema. The only branch of the world-renowned arts complex Lincoln Center to shine a light on the everlasting yet evolving importance of the moving image, this nonprofit organization was founded in 1969 to celebrate American and international film. Via year-round programming and discussions; its annual New York Film Festival; and its publications, including Film Comment, the U.S.’s premier magazine about films and film culture, the Film Society endeavors to make the discussion and appreciation of cinema accessible to a broader audience, as well as to ensure that it will remain an essential art form for years to come.