The Non-Actor, a 40+ film historical survey, runs from November 24-December 10, 2017 at the Film Society of Lincoln Center. See showtimes and get tickets (save with discount packages!) at filmlinc.org/thenonactor
Questions concerning “the real” have haunted cinema from its inception, and they have often been entwined with performance. Filmmakers have long experimented with the use of nonprofessional, untrained actors, whether to inject a measure of documentary reality into fictions, to deconstruct acting itself, or to challenge the conventions of screen performance and cinematic realism. The non-actor has emerged time and again as a totem of renewal, central to many of film history’s most consequential movements, beginning with Robert Flaherty’s subjects and Sergei Eisenstein’s principles of “typage,” continuing with Italian neorealism’s men on the street, Robert Bresson’s models, and Andy Warhol’s Superstars, and running through the work of innovators as varied as Shirley Clarke, Straub-Huillet, Agnès Varda, and Pedro Costa. This series is a historical survey of the myriad ways in which filmmakers have used so-called amateurs to reimagine the language of cinema and to investigate (and perhaps fundamentally change) the medium’s relationship with the realities it depicts.
The Film Society of Lincoln Center is devoted to supporting the art and elevating the craft of cinema. The only branch of the world-renowned arts complex Lincoln Center to shine a light on the everlasting yet evolving importance of the moving image, this nonprofit organization was founded in 1969 to celebrate American and international film. Via year-round programming and discussions; its annual New York Film Festival; and its publications, including Film Comment, the U.S.’s premier magazine about films and film culture, the Film Society endeavors to make the discussion and appreciation of cinema accessible to a broader audience, as well as to ensure that it will remain an essential art form for years to come.
More info: filmlinc.org