
Rendez-Vous with French Cinema 2020 | Trailer | March 5-15
Film at Lincoln Center
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Rendez-Vous with French Cinema returns to the Film at Lincoln Center from March 5-15. See the full schedule and get tickets: filmlinc.org/rendezvous
The 2020 Opening Night selection is the New York premiere of The Truth, the first-ever French-language film from Japanese auteur Hirokazu Kore-eda. Featuring screen legends Catherine Deneuve and Juliette Binoche as a strained mother-daughter duo, The Truth is a dynamic family drama co-starring Ethan Hawke. Binoche and Hawke will appear in person at the festival for opening night, and for a special conversation about their collaboration with Kore-eda.
Highlights of the 22-film lineup include a number of prizewinning titles and festival hits, including Christophe Honoré’s fantastical On a Magical Night, for which Chiara Mastroianni won an award in Cannes’s Un Certain Regard section; Quentin Dupieux’s absurdist satire Deerskin starring Oscar winner Jean Dujardin and Adèle Haenel; Bruno Dumont’s Joan of Arc, which received a Cannes Special Jury Mention; Mounia Meddour’s Papicha, an unflinching story of young women’s resistance set during the Algerian Civil War; Alice Winocour’s space drama Proxima starring Eva Green; Prix JeanVigo–winner Burning Ghost, a supernatural tale of love and loss from Stéphane Batut; Nicolas Pariser’s sharp political drama Alice and the Mayor; Damien Manivel’s transfixing Locarno prizewinner Isadora’s Children; The Specials, from the directing duo behind The Intouchables, Olivier Nakache and Éric Toledano, and starring Vincent Cassel and Reda Kateb; Maïmouna Doucouré’s vibrant hip-hop dance drama Cuties, which premiered at Sundance; and more.
This year’s lineup also features a number of new works from returning Rendez-Vous filmmakers, including Claude Lelouch with The Best Years of a Life, a sequel to his Palme d’Or–winning classic A Man and a Woman, reuniting Jean-Louis Trintignant and Anouk Aimée; An Easy Girl, a sumptuous coming-of-age tale from Rebecca Zlotowski, set on the beaches of Cannes; Safy Nebbou’s catfishing drama Who You Think I Am starring Juliette Binoche; Cédric Kahn’s Happy Birthday, starring Catherine Deneuve and Emmanuelle Bercot; Lucie Borleteau’s thriller Perfect Nanny; almost-romantic drama Someone, Somewhere from Cédric Klapisch; and Pascal Bonitzer’s update of a Henry James ghost story, Spellbound.
Confirmed to appear in person at the fest are: Stéphane Batut, Juliette Binoche, Pascal Bonitzer, Lucie Borleteau, Maïmouna Doucouré, Bruno Dumont, Ethan Hawke, Mehdi Idir, Cédric Klapisch, Claude Lelouch, Chiara Mastroianni, Mounia Meddour, Safy Nebbou, Nicolas Pariser, Sarah Suco, Alice Winocour, and Rebecca Zlotowski.
Special events and free talks include a rare opening day conversation between Binoche and Hawke on March 5; Alice Winocour in conversation with a surprise guest about exploring space on film; a discussion and book signing with UniFrance President Serge Toubiana upon the release of his new book on the legendary cinema figure Helen Scott; and a filmmaker panel focusing on adapting literature to the screen in partnership with French in Motion and IFP.
For the first time ever, the festival is introducing an Audience Award, sponsored by AirFrance, allowing moviegoers the chance to give a prize to their favorite film.
Organized by Florence Almozini with UniFrance.
Film at Lincoln Center is dedicated to supporting the art and elevating the craft of cinema and enriching film culture.
Film at Lincoln Center fulfills its mission through the programming of festivals, series, retrospectives, and new releases; the publication of Film Comment; the presentation of podcasts, talks, and special events; the creation and implementation of Artist Initiatives; and our Film in Education curriculum and screenings. Since its founding in 1969, this nonprofit organization has brought the celebration of American and international film to the world-renowned arts complex Lincoln Center, making the discussion and appreciation of cinema accessible to a broad audience, and ensuring that it remains an essential art form for years to come.
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