We asked Mostly Mozart Festival Orchestra violinist Eva Burmeister to show us what's in her case. Here's what we found!

We asked the Mostly Mozart Festival Orchestra's music librarian to show us what treasures he carries with him in his bag.

We asked Mostly Mozart Festival Orchestra cellist Ann Kim to show us what's in her case. Here's what we found!

An illustrated guide to the five principal characters featured in Under Siege, presented August 8–10 as part of the Mostly Mozart Festival

Your ticket to a Mostly Mozart Festival concert gives you even more music! Come early and hear rising stars and old friends get the concert started.

We asked the Mostly Mozart Festival Orchestra's principal bassist to show us what's in his case. The results were enlightening!

A conversation with the composer of Esoteric Mass, which will be performed at the David Rubenstein Atrium on July 25.

The creators discuss their staged adaptation of Langston Hughes's The Black Clown

A detailed, live audio description of The Magic Flute in this year's Mostly Mozart Festival allows all audiences to enjoy the classic opera.

Barrie Kosky, Suzanne Andrade, and Paul Barritt on flying elephants, the world of silent film, and the eternal search for love

Teen contributor Cara Chang reflects on Blak Whyte Gray, which returns this summer as part of the Mostly Mozart Festival.

A retro-Hollywood Magic Flute at the Mostly Mozart Festival dazzles the eye as well as the ear.

The Mostly Mozart Festival honors its namesake.

Henry Timms begins his tenure as the 11th president of Lincoln Center for the Performing Arts next month.

A conversation with the Renée and Robert Belfer Music Director of the Mostly Mozart Festival

A note on the ongoing connection between Mark Morris and the Mostly Mozart Festival

The composer's perspective on The Force of Things: An Opera for Objects

Enjoy these free events at Lincoln center next month.

Rare footage of the legendary Japanese director Yukio Ninagawa (1935–2016) during rehearsals for the revival of NINAGAWA Macbeth.

A look at Yukio Ninagawa's staging of one of Shakespeare's most popular plays.

A brief chat with the Mostly Mozart Festival's Renée and Robert Belfer Music Director

The early-music star talks Bach, Handel, and the unbridled joy of a great solo break.

The 1983 catalogue essay that accompanied the original production of Available Light

The composer of In the Name of the Earth discusses the inspiration behind his Mostly Mozart world premiere.

False face must hide what the false heart doth know.

As NINAGAWA Macbeth comes to Mostly Mozart, a note on Shakespeare's global appeal

9 essential facts about Bernstein's iconic creation

Three celebrated artists' groundbreaking dance work comes to Mostly Mozart.

While charting new territory, Mostly Mozart still celebrates its namesake.

What does pianist Kirill Gerstein want to be when he grows up?

A note on next week's presentation of Don Giovanni

Artistic insights from the director of The Dark Mirror: Zender's Winterreise

Pianist Pedja Muzijevic performs as part of Mostly Mozart's A Little Night Music on August 11.

Delve into the psychology and musicality of Schubert's famous Wanderer in various versions of five songs.

What inspires the designer of this year's Mostly Mozart logo?

The Italian pianist discusses influences, projects, and travel plans.

At Mostly Mozart, How Forests Think features works inspired by nature.

Ian Bostridge and Netia Jones explore a radical reframing of Schubert's Winterreise.

An overview of the 2017 Mostly Mozart Festival

Lincoln Center staffers share their personal picks.

Find your answer with this handy flow chart.

Cory Smythe and Peter Evans on their influences, compositions, and what makes a good improvising partner.

Researchers aim to figure out what goes on inside humanity’s most consistently creative minds.

The Emerson String Quartet reveals their secrets to becoming one of the world’s most acclaimed chamber music groups.

The Crossing’s visionary project is a sublime musical experience for the heart, mind, and soul.

With a life even more colorful than many of his creations, the librettist of Mozart’s greatest operas, Lorenzo Da Ponte, ended up in New York City—where he had quite the adventure.

How one special festival, and the man who inspired it, contributed to New York’s summertime cultural landscape.

What will your ending be?

A brief history of the Mostly Mozart Festival

International Contemporary Ensemble joins pianist Pierre-Laurent Aimard for a tribute to one of the group’s favorite composers, Dai Fujikura, at Lincoln Center's Mostly Mozart Festival on Aug. 13, 2015.